La Semana
On this album I used a more traditional instrumentation. Instead of playing multiple acoustic and electric guitars and lutes, I played a single Flamenco Negra guitar. Instead of lots of drums and percussion, I mostly used the cajon (boxdrum) and Palmas (handclaps). I used no synthesizers at all.
Once again the big landscape of the southwest unfolds in mysterious indigo. Yes, this is a very good album, beautifully composed and recorded in the Santa Fe desert style as defined by OL. - CultureCourt
Obo Cocteau is a story based
on the song "Cocteau" [from
La Semana], a pure fictional evocation of the composition's moody
Moorish atmosphere... and associations made from OL's title.
|
Songs
Track | Time | Preview | |
---|---|---|---|
1. | Carrousel | 5:45 | |
2. | La Luna (3L) | 4:46 | |
3. | Cocteau | 5:26 | |
4. | Caballada | 3:55 | |
5. | Alhambra Jackson | 4:47 | |
6. | Spring Rain | 6:26 | |
7. | Longing (6against4) | 5:56 | |
8. | UnderWorld | 3:16 | |
9. | Cave in my Heart | 5:46 | |
10. | Echoes of a Caress | 6:59 | |
11. | Evening (Languid Pace) | 3:37 | |
12. | Caipira | 2:39 |
Writing + Publishing
All music written + arranged by OL.
Published by Luna Negra Music/BMI + administered by Holland Walk Muse
Credits
Producer: OL
Engineer: OL
Studio: Spiral Subwave Schtudio in Santa Fe, New Mexico
Mastering: Digital Mastering by OL @ Spiral Subwave Schtudio
Mixed by: OL
Mix Medium: CD-R
Record Medium: Digital
OL played a Flamenco Guitar by Lester DeVoe. He uses D'Addario strings on all of his guitars and Shure microphones. Jon Gagan played Lakland basses + uses SWR amplification, D'Addario strings.
Photography - Kelly Anderson
Design - Michael Motley